This was the first day of a two day sale, mostly covering titles relating to ancient coins. The second day, which I won’t attend, covers world coins, US coinage, miscellanea and sale catalogues.
Since the 1960s Joel has ranked among the world’s leading dealers in ancient coins and antiquities. He’s seen it all, developing Numismatic Fine Arts from a mail order list acquired in the 1960s from Edward Gans into one of the world’s leading numismatic auction firms, then losing control to Bruce McNall. Through all the ups and downs Joel has always had the heart of a scholar, and his library reflects that. This is a man who venerates books. His library has had the finest care and conservation imaginable.
Even so, one would suppose that a book is a book is a book. Even the best cared for book is only worth so much – or is it?
I’ve just observed a sale room full of coin and book collectors and dealers going absolutely insane, spurred on by unseen bidders connected through a real time online link to eBay. Many of these unseen participants (and even some of those in the sale room) appeared to have very little understanding of the market. At the first break I remarked to George Kolbe that I had seen at least 50 of the first 300 lots sell at hammer prices far higher than their current market prices. These titles I knew to be either still in print, or widely available on the used book market. I have quite a few of them in inventory at Classical Coins (www.classicalcoins.com). George just shook his head and replied: “You only saw 50?”
The climax came when Joel’s set of Gnecchi’s “Roman Medallions” came up for bid. This is one of those rare and important reference works in which interests of book collectors and numismatists coincide. It’s a very handsome production, beautifully bound with spectacular plates, in superb condition. Still, this is a very specialized field (few can afford the prices that choice specimens of these rare medallions bring these days) and the work has been reprinted. Malter Galleries has never been noted for being bashful about estimates, but even so the estimate of $4,300 for this title was a bit breathtaking. I expected it to be knocked down at $2,800 to $3,500.
I sometimes watch “The World’s Strongest Man” on TV, in which athletes compete at feats of strength, including “The Pillars of Hercules.” Two enormous pillars weighing a ton each lean outward, at an angle of about twenty degrees. They are prevented from falling by an athlete standing between them, gripping a handle connected to each pillar. The strain of holding the pillars is enormous, a minute being more than most can manage. Pain can really be seen on the faces of the contestants as the last few seconds tick away.
I was reminded of this as two determined collectors held their bidding cards high while Mike Malter called the auction for the Gnecchi title. As bidding reached $2,500 I looked to see one of them start to waver a bit, but both held firm. No sign of stress appeared at $3,000. Surprisingly, both stayed on to $3,500, and then even to the full, very generous estimate of $4,300. I was fascinated. How long could these bidders stand the financial pain? Although each of them just had to have that title, and undoubtedly could afford it, there’s always a limit.
The library (whose ventilation was not designed for so many people) was hot and stuffy, and some of those attending tended to doze off, but everyone woke up when bidding went through $4,500 to $5,000. This was going to be a record price for a set of Gnecchi. The auction roared past $5,500 to $6,000. Incredibly, $6,500 was reached, then $7,000. At $7,500 one bidder finally dropped out and the hammer fell on a price more than twice what I had expected this title to sell for.
The cataloguer had very little time to bring everything together and in the end, was clearly overwhelmed by the enormous task of compiling and describing 1694 lots, many of them bulk groups of catalogues. Numerous titles apparently had duplicate entries in Joel’s database, which was no doubt organized to speed searching for references. Thus lots were omitted, duplicated or misdescribed, and ten pages of addenda and corrections were issued, occasionally making the sale somewhat chaotic. Still, it was a noteworthy event, and even with all its imperfections this catalogue may eventually come to take on the significance of landmark numismatic auctions such as the Sotheby Hunt sales. I did not attend those auctions, but have heard the frenzied bidding described by several who were there when famous specimens such as the Akragas Dekadrachm came up for sale.
So I’ll keep this catalogue (and prices realized) as an essential reference, difficult though it may be to use because of the additions and corrections. If this sale truly defines today’s numismatic literature market, the used book inventory and reference library of Classical Coins may just have become worth much more than I had thought.
Perhaps the four lots that I came away with don’t really measure the value of attending this sale.